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Mar 27, 2007

Spam: The Documentary
Posted by: Warren Nightingale

 
Unsolicited bulk e-mail—called spam—accounts for close to 80% of all e-mail traffic on the Internet.
 
On March 27th at 10pm ET/PT, CBC Newsworld will air Spam:The Documentary, a program that takes a humorous and insightful approach to the global culture of spam. Filmmaker David Manning meets with spammers and anti-spammers in attempt to answer questions such as: What is spam? Where does it come from? How does it work?
 
Visit the CBC Web site for more information on the program. For more information about spam, visit MNet’s page Know the Risks – Spam.
 
Mar 22, 2007

Media Literacy: A Five Day Summer Institute
Posted by: Warren Nightingale

The Media Literacy: A Five Day Summer Institute in Vancouver, August 13-17, 2007, will introduce teachers to the basics for teaching media literacy in their classrooms. The course will deal with such topics as the Key Concepts of Media Literacy, Prime Time TV, News, Global Issues, Movies, Advertising, Gender, Diversity and the Internet. Links to curriculum outcomes in English and Social Studies will also be addressed.
 
Fees: $50.00 for the five day session,
student teacher fee is $30.00 (Lunch is included).
 
Instructors:
  • John J. Pungente, SJ, President of the Canadian Association of Media Education Organizations and Director of the Jesuit Communication Project.

  • Carolyn Wilson is the recipient of the Prime Minister's Award for Teaching Excellence and the President of the Association for Media Literacy in Ontario.

  • Dan Blake has been an educator in British Columbia for 25 years and is currently the President of the BC Association for Media Educators.
Download registration form (DOC) or (PDF). Click here to view the poster for the event.
 
For further information contact Dan Blake at 604-301-1247 or deblaca@telus.net.
 
Mar 19, 2007

Challenging Racial Bias in Radio or Television Media
Posted by: Warren Nightingale

The International Day for the Elimination of Racial Discrimination, observed annually on March 21st,  emphasizes the need for promoting diversity and respect among all cultures. In pursuit of this goal it is important to help young people gain the necessary critical thinking skills to recognize, address and challenge racial bias in their media.
 
The following information provides ideas that we can share with young people on how to challenge bias in radio and television programming.
 
(An excerpt from How to Deal with Racial Bias in the Electronic Media by the Center for Research-Action on Race Relations.)
 
What you should do: Know how the system works
 
In general, each program on radio or television falls under the responsibilities of three parties: the producer, the president of the station or agency, and the Canadian Radio-television and Telecommunications Commission (CRTC), the federal agency that oversees and regulates the broadcasting industry in Canada.
 
When you see or hear bias:
 
1. Immediately record the biased segment or message. You can do this electronically or simply by taking a few notes. Note the basic 5W's: who, where, what, when, why and how. Write down clear details, and describe in detail what was said or shown and in what context. Make sure you have the correct names of the show, the station, and the person(s) responsible for the segment. Exact time and dates are also important.
 
2. Write down your objection. For strategic reasons, use a constructive approach. A polite and moderate tone projects an image of reason, firmness and seriousness. Avoid being emotional and using words that suggest insults, threats or overreaction. You must remember that your goal is to get a public apology, prevent further bias and mobilize public support for your viewpoint. An antagonistic and negative approach often makes people more defensive and resistant to suggestions or demands for change.
 
3. Communicate with the person directly responsible for the show. For practical purposes, you may find it more persuasive and effective to send by registered mail a copy of your objection to the show's producer and the president (or manager) of the station at the same time. Keep a copy for your own records. Within 2 weeks, follow up by telephone.
 
4. If you still do not get a satisfactory response, complain to the CRTC. Send your letter to the local office, addressed to the Regional Manager, and to the Secretary-General in Ottawa. It is advised that you act within 30 days. This is because most radio and television stations must keep a log of the last 30 days of their programs in case any person challenges the materials as being biased. Then the CRTC investigator can trace the segment and analyze it for bias.
 
Upon receipt of your complaint, the CRTC will take over the file and inform you of its action. The standard practice is that it will contact the station and ask for an explanation.
 
If there is finding of bias, the CRTC will mediate for a retraction. This retraction can be made in writing to yourself and/or on the air as a public apology. The CRTC can also call the station's representative to a public hearing to "show cause", that is, to hear the station's version as to why it believes what was said was not biased.
 
5. Make an intervention at the CRTC public-hearing on the station's license renewal. If a station is persistently presenting biased stories and images, and if your complaints produce no results, your best action is to intervene during the period of license renewal. Radio and television stations in Canada must have a license to operate. Their license will be renewed after a certain period (usually 5 years), at which time the CRTC will invite the public to address it as to whether it supports or opposes the license renewal. The CRTC regularly publishes notices of hearings in the newspapers with full information concerning how to make an intervention. When dealing with racial bias in the electronic media, keep in mind that:
  • The more people complain, the more the CRTC is likely to act.
      
  • With strong public pressure, the station will correct itself; otherwise it will face three options: loss of audience, loss of advertisers and sponsors, and potential loss of license.
     
  • Avoid making your case into a "freedom of speech' or a "free press" case. Media agencies under public criticism often use the "free press" argument to defend their practices. They often try to depict your group as another special interest group trying to impose its views. This argument almost always works.
     
  • Mobilize external support for your case. Turn to other professional and public interest groups to add legitimacy to your claims.
     
  • Often the most biased programs are the open-line talk shows, in which the host allows callers to state their views. The conscientious host will try to cut off, or correct prejudicial callers immediately. Should she/he not, call the show's producer and the station manager immediately to protest. Avoid debating on the air. Chances are you will become defensive or irritated, which may present a negative impression of your case to the audience.
     
  • If you are a group's representative invited to speak on a certain show, avoid those hosted by sensationalist personalities. These hosts often try to further distort the issue. Decline all invitations, and choose instead those stations with conscientious and professional hosts.
 
Mar 13, 2007

CBC’s Spin Cycles
Posted by: Warren Nightingale

CBC.ca
 
Spin Cycles is a six-part series produced for CBC Radio about the connections between the media and public relations. The series looks at how spin has come to dominate our political, commercial and cultural discourse. Each episode is approximately 50 minutes and is available for free to download in MP3 audio format from the CBC Web site.
 
The following is a description of the episodes from the CBC Web site:  
  • Episode 1: A century of spin
    How spin began. The rocky relationship between the press and public relations is now 100 years old.
  • Episode 2: The spindustrial revolution
    Countless "spindustries" have been spawned by our modern spin culture, including public relations, "earned media" and video news releases.
     
  • Episode 3: Calling Dr. Spin
    How far can political spin go? "Just watch me."
     
  • Episode 4: The spin doctor is in
    Twenty-four-hour TV news, increased competition in newspapers, the shrinking news cycle… they've all played a part in changing the way Canadian politics is covered. And in most cases, it's the spin doctors who have gained the upper hand.
     
  • Episode 5: Spinning war
    Governments have long relied on stagecraft, spin and other tools of public relations to sell war on the home front. And they've also become increasingly sophisticated at using the press to accomplish that objective.
     
  • Episode 6: Spinning into the 21st century
    The dawn of the Internet age poses significant new challenges for the press and PR industries. Will they even matter in a world where people can create their own media? What will be the future of spin?
 
Mar 08, 2007

Much Talks: Body Image
Posted by: Warren Nightingale

Tonight, Thursday March 8, at 7pm and 10pm ET MuchMusic is featuring an hour long special program called Much Talks: Body Image. The documentary style program follows MuchMusic VJs Sarah Taylor and Devon Soltendieck as they talk to youth on body image issues—from plastic surgery to eating disorders, media pressure to self-esteem issues.

Initiate classroom discussion on the topic of body image in the media. Questions to explore with students can include:

• Why do you think there is so much focus on body image in Western societies?
 
• Where do our notions of an "ideal" body come from? (Examples can include media, family, peers, community, sports, etc.)

• How would you describe the “ideal” body as it is appears in various media? (Answers may include thin, young, muscular, digitally altered.) Why do you think these types of images are used? (Answers may include that there is often commercial implications such as being used to sell products.)

• What do you think are the messages associated with these types of images?

• How does the ideal image of men’s and women's bodies differ throughout the ages?

• Do you think teenage girls are especially vulnerable to these ideas? Do teenage boys feel similar pressures?

For background information on this topic, visit the Web page Beauty and Body Image in the Media or visit our Lesson Library for classroom resources. More information on Much Talks: Body Image can be accessed on the MuchMusic Web site.

 
Mar 05, 2007

Comics in the Classroom
Posted by: Warren Nightingale

Cover of the OWL 'Ultimate Comic Issue'
In recent years the comic book medium has grown in popularity. Many bookstores and libraries now have special sections for graphic novels and the form has a growing acceptance in literacy, art, and educational communities. An increasing number of educators are using this medium as both a literary tool and a means for students to creatively express their own stories.
 
For Grade 4-8 teachers who are looking to kick start the study of comics, a good place to start is this month’s OWL magazine: Ultimate Comic Issue. This month's issue has many comic related activities including a crash course in manga, a do-it-yourself ‘zine activity and a make your own comic contest. The issue also includes puzzles, quizzes and plenty of comic examples.  
 
For an interesting follow-up lesson that deconstructs gender portrayals in comic books, check out the Media Awareness Network’s  Comic Book Characters. In the lesson, students investigate the attributes of male and female characters and discuss what messages about men and women are reinforced. Students then design and create a non-stereotypical comic book character.
 
Have you used a comic book in the classroom? If so, tell us about your experience and share how this medium can be used as an instrument for education. 
 




 

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